Amphidromic Cotidal

Amphidromic Cotidal
Catalogue#: AMRN033
Formats:CD Digipack
Tracklist

Amplitude and Cycle Time

Ebb and Flow

Line and its Fragility

Humpback Song

Amphidromic

Tidal

Rogue Wave

Bay Lyric

Westerlies Tale

Credits

Angelo Contini _ trombone, didjeridoo, thunder drum, jew’s harp, sea-shell

Mirio Cosottini _ trumpet, flugelhorn

Gianni Mimmo _ soprano sax

Alessio Pisani _ bassoon, contra-bassoon

music _ instant compositions by A Windy Season

recording _ 2012, 5-6 Jan., Fondazione Remotti, Camogli, Italy

engineering & mixing _ GRIM

mastering _ Maurizio Giannotti at New Mastering studio, Milano, Italy

Tidal concept _ Gianni Mimmo

cover artwork _ excerpt from “Panta Rhei (vectors)” byPedro Mari www.defetto.com

inside photo _ Mirio Cosottini

graphics _ Nicola Guazzaloca

production _ Gianni Mimmo for Amirani Records,

GRIMedia records, Teriyaki Records

Special thanks to Fondazione Pierluigi e Natalina Remotti

for the inspiring location and the artistic support.

Thanks to Assessorato alla Cultura di Camogli.

Gianni Mimmo plays Gloger Handkraft saxophone necks

and Masterclip™ ligature

Be sure to find here a cutting edge recording! Marvellous sound textures, perfectly balanced moods and violent delights.

Surprising, one-of-a-kind wind quartet featuring sizziling musicians taken here in an excellent album.

A Tidal music where elements dance in a fluid structure starting from solid centers and radiating to live nerve endings.

From the liners:

(…)Repeated cycles of ebb and flood, current changes, rise and fall, directions, speed, level increasing, dramatic depths and wave patterns can be observed along the coastlines of this music too, that proceeds through shared textures and simultaneous peripheral fires, still densities, path diversions and converging edges.

But those nodes, those amphidromes, those dense silences with all those sounds moving around and expanding to increase their presence and to come back re-generated, mixed up with rip current sediments…

Well, that’ s “Tidal”. (…)